
The city's name is derived from the Germaniol race listed by
Herodotus. It was established in the early 3rd Century AD by Ardashir
I, founder of Sassanid Dynasty. Kerman was ruled by Turkmans, Arabs and
Mongols after the 7th Century. It became famous for its carpets long
after Marco Polo had discovered it. Kerman expanded rapidly during the
Safavid Dynasty. Carpets and rugs were exported to England and Germany
during this period.
Kerman has had a long turbulent history. It was only during the rule of
the Qajar Dynasty that security was restored in this city under the
Central Government. Kerman has a small Zorastrian minority.
Most of the ancient Kerman was destroyed in a 1794 earthquake. The
modern Kerman radiates from Azadi Square down to Shariati Square. Most
places of interest lie between these two landmarks.
Friday Mosque, also know as the Masjid-e-Jom'e, was built in the 14th
Century during the Safavid Dynasty. It is considered to be the most
fabulous structure in the city. It is located in the main square of
"Shohada". Its design is the classical Iranian model having four iwans
(verandahs). It has a wonderful blue faience featuring shades of blue
from turquoise to ultramarine, creating a vertical horizon of smooth
shimmering tiles. The wall of the Mihrab (altar) and the central dome
are also decorated with admirable geometric compositions. The altar is
open to the public.
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Mahan, another center of interest, is located 35km. south of Kerman. It is the hometown of Shah Nematollah Vali, a Sufi poet and founder of a Mohammaden sect of the same name. Members are quite numerous in Iran and meet in the sanctuary of Mahan. These people are basically Sufi dervishes who believe life is uprooted. They strive for the return to the origin through death, by patience and tolerance and believing in one true God. The Greenish-blue faience of the two Qajar style minarets and mighty Safavid style cupola of the shrine stand out against the unremitting deep blue sky. The gray mountains in the background are a and heavenly inspiration to the viewer. The tomb and the large assembly-room next to it do not present any particular design. The ceiling, however, could easily be taken for the Kerman style rug design. The little oratory where Nematollah Vali used to meditate attracts a lot of attention due to its extraordinary interlaced script work decoration divided into twelve sectors, all of which are of different colors. Inside the courtyard there is a well designed, small lagoon surrounded by Cyprus trees. On the perimeter of the shrine there are glorious colonnades which lead to the dub-shell domed central shrine. The tomb has a beautiful chest installed on it.
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